Drawings.

The female body is a recurring motif in Drøschler’s black and white drawings. She portrays the woman through the eyes of the woman herself—as a response to the long-standing tradition of the male gaze in art history. In Drøschler’s depictions, the female body is stripped of sexual references; instead, she embraces imperfection—bodies in awkward yoga poses, always dressed in simple black and white underwear. The clothing is chosen for comfort and practicality, not seduction. Nature often merges with the body or appears as a standalone element, pointing to a deeper psychological landscape—not only of the woman, but of humanity as a whole.

The drawings are often presented alongside Drøschler’s poems or featured in art exhibitions.